the Blacksmith analog distortion is all about force feeding your tube amp for a heavier, chunkier distortion. The concept was developed by Paul Gagon in the 1980s when he worked at Jackson Guitars. Back then, Gagon created pickups, amps and electronics for Jackson instruments and routinely worked with an A-list of artists, from Jeff Beck to Steve Vai and many more. What he found was many of the artists loved the sound of their Marshalls but wanted more grind out of them. Their amps may have gone “to eleven,” but these guys often told Gagon they wanted them to “go to fifteen or twenty.”
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